Opening October 2026 · Sable Street Projects, Toronto

You're invited to Quiet Weather.

New paintings by Ines Halvorsen at Sable Street Projects, 8 October to 14 November. I've spent a year with this work, and I'd love to show it to you in person.

Vernissage
Thursday 8 October, 6–9 pm
Location
Sable Street Projects · 214 Sable St
Plate 01 Placeholder image standing in for a photograph of the painting Low Pressure by Ines Halvorsen.
Ines Halvorsen  Low Pressure, 2026 Oil on linen

Engagement practice

Hello, I'm Gloria.

The short version of what I believe.

I'm an independent curator, collection manager and advisor. I work with artists to make exhibitions, look after collections for artists and collectors, and help people buy art they'll still love in twenty years.

Good work deserves good company. Most of what I do is making the introduction. Gloria · Toronto
Read full background & approach

Core practices

Three ways I can help.

Every engagement is different, but they all start the same way: a conversation about what you have, what you want, and what's in the way.

Practice 01Venues & artists

Exhibitions, with artists

I work with artists and spaces to shape a show from the first idea to the last label: the selection, the hang, the words on the wall, and the people in the room.

Intended for Artists and venues planning a show.

Explore curatorial portfolio
Practice 02Archival rigour

Looking after what you have

Inventory, condition, storage, loans, paperwork, and the quiet decisions that keep a body of work in good order, whether it's a lifetime of studio output or a growing private collection.

Intended for Artists, estates and collectors.

View collection casework
Practice 03Independent counsel

Buying well

What to look at, what to pay, what to pass on, and how a group of purchases becomes a collection with a point of view. I don't sell work, so my advice is only ever about you.

Intended for Collectors, new and established.

Start an advisory dialogue

Direct inquiries

Say hello.

Whether you're planning a show, drowning in a storage unit, or wondering whether to buy the painting you can't stop thinking about, I'd love to hear from you. I reply to everything, usually within a couple of days.

No newsletter machinery — just an email from me when there's something worth seeing.